Spectrasonics has announced the release of version 1.9.0e of Stylus RMX, the company's first 64-bit native Mac software.This new version of the groove software is now compatible with Apple's recently released 'Snow Leopard' 64-bit operating system and the emerging 64-bit native host applications for music production on the Mac OS X platform.

1: A variety of options appear on the Edit page of Spectrasonics' Stylus RMX, one of which is its subtractive synthesis engine. Note the use of a synchronized triangle-wave LFO to modulate filter cutoff frequency on backbeats only, as shown in the Edit Group window. Though spontaneity is not often associated with loop sequencing, the quasi-improvisational capabilities of Spectrasonics' Stylus RMX are only part of its many highlights. The plug-in has construction-kit-style loop layering and arranging, malleable playback features, a drum-kit mode with interchangeable kit pieces, and expandability.

You can perform almost every edit and parameter change in real time and easily create animated, complex grooves within an ever-flowing context. The RMX Core Library expands on the theme of its predecessor with a concentration of highly processed (but adaptable) grooves suitable for dance, hip-hop, R&B, drum ‘n’ bass, funk, fusion, and even dramatic underscoring. Multis combine agile Groove Elements into textbook examples of layered, animated rhythms. The loops work well at a wide range of tempos — loops intended for tempos of 150 bpm take on new dimensions at 70 bpm, for example — especially with the intervention of the Spectrasonics Advanced Groove Engine (SAGE). I tested Stylus RMX on a dual G4 1.42 GHz Mac using Ableton Live 4.04, Granted Software RAX 1.2.2, MOTU Digital Performer 4.5, and Steinberg Cubase SX 3.0. Stylus RMX supports Audio Units, VST2, and RTAS under OS X 10.2.6 and higher, and VST2 hosts on Windows 2000 and XP machines. According to Spectrasonics, a Windows RTAS version should be ready by the time you read this review.

SAGE Pages The Stylus RMX multipage interface is a model of efficient and intuitive design. Four main pages have controls to shape loops in different ways. The Edit page has assorted synthesis options (see Fig.

1); Chaos Designer creates and controls rhythmic, reverse-play, temporal, pitch, and dynamic variations; and FX hosts the plug-in's built-in DSP. The Mixer page lets you balance the parts, assign outputs, and control auxiliary effects.

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Each of the eight parts has its own Edit, Chaos, and FX pages. Every page of every part shares the Footer area, whose parameters are common to all. Two rows of eight buttons appear at the bottom of the Footer — one is used to select a part, and the other enables or defeats playback of individual parts. Four larger buttons call up the Edit, Chaos, FX, and Mixer pages. In the Footer, you are never more than a click away from any page or part. The Footer contains a stereo level meter and a Master fader that governs the plug-in's overall level.