Here’s how it can help you make quick selections and smooth edges in double time. How to Extract a Photo With Select and Mask The new Select and Mask option in the menu will take you to a separate workspace and give you the controls to finetune any selections.

Outlining a drawing in Adobe Photoshop is a method commonly used to transform digital photos into line art. The process relies on the creation of paths surrounding the areas you wish to outline.

With paths, you can closely select the position of the outline before applying the brushstroke that creates the actual line around the object. With Photoshop layers, you can create the paths in a way that isolates them from your actual image, allowing you to save the drawing in its own file without affecting the original photo.

Click on the edge of the image at the beginning of an image curve. Move the pen to the end of that curve and click on the edge of the image again. A line appears that follows the path between the two points. Curve the line by holding down the mouse button and dragging it to the left or right to produce a curved line. Adjust the line by moving the mouse until it matches the curve of the object. Follow the item with the pen, clicking at the end of each curve.

The smaller the curve selection, the more closely the pen follows the outline. You’ll see the path as you proceed.

Displacement maps are one of the least frequently used features in Photoshop, but they provide a function that’s found nowhere else in the program: the ability to distort images based on the brightness values in a second image. This means you can move around pixels to create refraction effects, such as the view through water droplets–and that’s the effect we’re going to create here. Step 1 Water displacement is an effect that can be seen much more clearly on a graphic rather than a photographic image. For a starting image, create some text on a dotted background. Step 2 Make a new layer, then switch to the Brush tool. Paint your water on it in a mid-tone gray using a hard-edged brush.

Vary the size of the brush to make it easier to paint both small droplets and larger bodies of water. Step 3 Hide the background layer. As you can see, the hard-edged brush you used means that the edges of the water are somewhat ragged and lumpy. In real life, water would have much smoother edges. Flash player 9 and javascript for mac.

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Step 4 Use Filter > Blur > Gaussian Blur to soften the water droplet edges. I used a radius of 10 pixels, but the amount you choose depends on the size of the rough edges. Use a blur setting just large enough that no small bumps and lumps are visible. Step 5 Make a new layer, filled with white, above the water layer. Hold Ctrl (Windows)/Command (Mac) and click on the thumbnail of the blurred water layer in the Layers Panel to load it as a selection.

Press Q to enter QuickMask mode, and you’ll see the fuzzy water in white against a red background. Step 6 Now to tighten up that soft edge. Open the Levels dialog (Images > Adjustments > Levels). There are three sliders beneath the Input Levels histogram. Drag the black slider to the right, and the white slider to the left, until they just (or very nearly) touch the edges of the gray slider right in the middle.

Step 7 By dragging these sliders, you lose all the fuzziness from the edges. But you’re still in QuickMask mode, and you need to turn this into a proper selection so you can work with it. Step 8 Press Q again to exit QuickMask, and you’ll see the “marching ants” selection edges on your plain white layer. Hide this layer and make another new layer, calling it “Water” so you can find it again easily. Choose a mid-gray from the Swatches panel, and press Alt/Option-backspace to fill the selection with gray.

You’ll now have just the gray water on a transparent background. Step 9 Let’s add some shine to that water. Choose Layer > Layer Style > Bevel and Emboss, or select it from the pop-up menu at the bottom of the Layers panel. Choose an Inner bevel with a high Soften value to avoid hard edges. Step 10 Put a tick in the Contour section (on the left pane, beneath Bevel and Emboss) and click on it to change the settings.

Click on the triangle next to the thumbnail and choose the U-shaped curve. This adds an extra shine beneath the shadow on the right, and to the right of the shadow on the left, which makes the water look more like it’s refracting light internally. Step 11 Move to the Color Overlay section and click the color swatch to change it. Choose a pale blue and click OK; then drag the slider to set the opacity to around 40% so the color doesn’t appear too strong. Step 12 In the final part of the Layer Style process, move to the Drop Shadow section and add a soft shadow.